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Besides providing entertainment and social companionship, geisha sometimes maintained sexual relationships with their clients. When a geisha marries, she retires from the profession.
If she does not marry, she usually retires as a restaurant owner, teacher of music or dance , or trainer of young geisha.
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Since the s, non-Japanese have also become geisha. While traditionally geisha led a cloistered existence, in recent years they have become more publicly visible, and entertainment is available without requiring the traditional introduction and connections.
All the Kyoto hanamachi hold these annually mostly in spring, with one exclusively in autumn , dating to the Kyoto exhibition of ,  and there are many performances, with tickets being inexpensive, ranging from around yen to yen — top-price tickets also include an optional tea ceremony tea and wagashi served by maiko before the performance.
During this ceremony, geisha and maiko from the Kamishichiken district in northwest Kyoto serve tea to 3, guests.
Geisha entertain their guests with a combination of both their hostessing and conversational skills, and their skills in traditional Japanese art forms of dance, music and singing.
Before deciding to begin a career as a geisha, new recruits are generally expected to have an interest in the arts, as well as some experience; however, as geisha numbers have fallen throughout the decades, this is no longer a strict prerequisite.
Some okiya will take on recruits with no previous experience, with some young geisha, despite having existing experience, expected to begin their lessons from the beginning.
Over time, the more exaggerated theatrical styles evolved into the subtle and more stylised form of dancing used today; despite the difference, elements of traditional Japanese dance, such as the use of gestures to tell a story and the symbolism used to represent this, run throughout both as a common feature.
These dances are accompanied by traditional Japanese music. The primary instrument used by geisha to accompany dance is the shamisen , a banjo-like three-stringed instrument played with a plectrum.
Originating in China as the sanxian , it was introduced to Japan through firstly Korea, and then the Ryukyu Islands in the s, obtaining its current form within a century.
The shamisen soon became the mainstay instrument of geisha entertainment in the s. All geisha must learn to play the shamisen , alongside additional instruments that often accompany the shamisen , such as the ko-tsuzumi small shoulder drum and fue flute , during their apprenticeship, as well as learning traditional Japanese dance; however, after graduation to geisha status, geisha are free to choose which art form they wish to pursue primarily.
Some geisha not only dance and play music, but also write poems, paint pictures, or compose music. A geisha's appearance changes symbolically throughout her career, representing her training and seniority.
These constitute changes in hairstyle, hair accessories, and kimono style. Both maiko and geisha wear traditional white foundation known as oshiroi ; this is worn with red and black eye and eyebrow makeup, red lips and light pink blusher.
Both maiko and geisha underpaint their lips with a red lipstick known as beni , but first-year apprentice geisha paint only the lower lip, and wear less black around the eyes and eyebrows than senior maiko.
Younger apprentices may also paint their eyebrows slightly shorter or rounder to emphasise a youthful appearance.
Geisha wear more black around the eyes and eyebrows than maiko , and older geisha tend only to wear a full face of traditional white makeup during stage performances or on special occasions; older geisha generally stop wearing oshiroi around the same time they stop wearing hikizuri to parties.
Teeth blackening was once a common practice amongst married women in Japan and the imperial court in earlier times, but is now an extremely uncommon practice.
Geisha and maiko always wear kimono while working, and typically wear kimono outside of work. However, the type of kimono varies based on age, occasion, region and season of the year.
Both maiko and geisha wear the collar on their kimono relatively far back, accentuating for maiko the red collar of the underkimono juban , and displaying for both the two or three stripes of bare skin eri-ashi and sanbon-ashi respectively left just underneath the hairline when wearing oshiroi.
Apprentice geisha wear kimono known as hikizuri. Geisha also wear hikizuri ; however, maiko wear a variety with furisode -style sleeves, with a tuck sewn into either sleeve, and a tuck sewn into each shoulder.
Maiko hikizuri tend to be colourful and highly decorated, often featuring a design that continues inside the kimono's hem.
The style of this kimono varies throughout different regions; apprentices in Kyoto tend to wear large but sparsely-placed motifs, whereas apprentices elsewhere appear in kimono similar to a regular furisode , with small, busy patterns that cover a greater area.
Apprentices wear long, formal obi. For apprentices in Kyoto this is almost always a darari lit. Darari are always worn in a knot showing off the length, whereas apprentices elsewhere wear fukura-suzume and han-dara lit.
When wearing casual kimono in off-duty settings, an apprentice may still wear a nagoya obi , even with a yukata. Geisha wear kimono more subdued in pattern and colour than both regular kimono, and the kimono worn by apprentice geisha.
A geisha always wear a short-sleeved kimono, regardless of occasion, formality, or even her age; however, not all geisha wear the hikizuri type of kimono, as older geisha wear regular formal kimono - with no trailing skirt, dipping collar or offset sleeves - to engagements.
Regional geisha tend to have greater similarities with fellow geisha across the country in terms of appearance. Geisha wear their obi in the nijuudaiko musubi style - a taiko musubi drum knot tied with a fukuro obi ; geisha from Tokyo and Kanazawa also wear their obi in the yanagi musubi willow knot style and the tsunodashi musubi style.
Though geisha may wear hakata ori obi in the summer months, geisha from Fukuoka - where the fabric originates from - may wear it the entire year.
The hairstyles of geisha have varied throughout history. During the 17th century, the shimada hairstyle developed, which became the basis for the hairstyles worn by both geisha and maiko.
When the profession of geisha first came into existence, dress edicts prevented geisha from wearing the dramatic hairstyles worn by courtesans, leading to the subdued nature of most geisha hairstyles.
Geisha, unable to reliably book in with a hairstylist once a week to maintain their hair, began to wear human hair wigs in the shimada style that required restyling far less.
The hairstyles of maiko , still utilising the apprentice's own hair, became wider, placed higher upon the head, and shorter in length.
There are five different hairstyles that a maiko wears, which mark the different stages of her apprenticeship.
The nihongami hairstyle with kanzashi hair ornaments are most closely associated with maiko ,  who spend hours each week at the hairdresser and sleep on special pillows takamakura to preserve the elaborate styling.
Maiko in certain districts of Kyoto may also wear additional, differing hairstyles in the run up to graduating as a geisha.
In the present day, geisha wear a variety of the shimada known as the tsubushi shimada - a flattened, sleeker version of the taka shimada worn as a bridal wig in traditional weddings.
Though geisha also wear this hairstyle as a wig, it is usually shaped specifically to their face by a wig stylist.
Both the hairstyles of maiko and geisha are decorated with hair combs and hairpins kanzashi , with geisha wearing far fewer kanzashi than maiko.
The style and colour of hair accessories worn with some maiko hairstyles can signify the stage of an apprentice's training.
Typical combs and hairpins may be made of tortoiseshell or mock-tortoiseshell, gold, silver and semi-precious stones such as jade and coral.
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Traditional Japanese female entertainer and hostess. Main article: Mizuage. Further information: Oshiroi. Main article: Kimono. Forvo Media.
Retrieved 1 June Autobiography of a Geisha. Translated by Rowley, G. New York: Columbia University Press. Geisha 3rd ed. London: Vintage Random House.
Toki Tokyo. New York: Gotham Books. Liza Dalby. Retrieved 30 May London: PRC. The Vintage News. Retrieved 6 November Japan Zone.
Retrieved 18 June In Feldman, Martha; Gordon, Bonnie eds. The Story of the Geisha Girl. March . Yoshiwara: the glittering world of the Japanese courtesan illustrated ed.
University of Hawaii Press. Geiko was the pronunciation used in the Kamigata region. Some geiko operated as illegal prostitutes.
By the nineteenth century the term became synonymous with geisha. October Geisha: a unique world of tradition, elegance, and art. PRC Publishing.
Archived from the original on 13 June Retrieved 22 September Honolulu Museum of Art. University Of Chicago Press. Kyoto: a cultural history.
Oxford University Press. Retrieved 12 January The question always comes up There is no simple answer.
The Ogden Standard-Examiner. Ogden, Utah. Retrieved 16 October The New York Times. Retrieved March 16, Retrieved 3 June Japan the Culture.
Retrieved 2 June Archived from the original on 4 March An economic downturn in the s forced businessmen to cut back on entertainment expenses, while high-profile scandals in recent years have made politicians eschew excessive spending.
But even before the 90s, men were steadily giving up on late-night parties at ryotei , restaurants with traditional straw-mat tatami rooms where geishas entertain, in favour of the modern comforts of hostess bars and karaoke rooms.
Yahoo Japan. Retrieved 20 March The Daily Telegraph. Retrieved 21 October Archived from the original on 19 October Retrieved 23 June Girls in the past could become apprentice geishas from the age of 13, but it is now illegal to become an apprentice before 18 except in Kyoto where a girl can be an apprentice at The Washington Times.
A Traveller's History of Japan. Brooklyn, New York: Interlink Books. Geisha: A Life first ed. The Age. Retrieved 21 June Encyclopedia of prostitution and sex work.
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